4,083 Royalty-Free Audio Tracks for "B Major Chords"

Leading-tone diminished seventh chords as dominant in Beethoven's Piano Sonata No. 5, Op. 10, no. 1, I, mm.1-10.

Leading-tone seventh chord often serves a dominant function. This example is from Beethoven's no. 5 op. 10, no. 1, I, mm.13-16.

Diminished seventh chord's use in modulation.

*Decade on C. 10:1 = 3986.31 cents. Limit: 5-limit. MIDI pitch bend: 79,59 (5/4 = 386.31 cents = 3986.31 - (1200*3).)

Sonata no. 15 in d major, op. 28 'pastorale' - i. allegro

Scale of the Mixolydian mode starting on C [ogg vorbis sound file]

*Decade on A on C. Just: 10:1 = 3986.313714 cents. Limit: 5-limit. MIDI pitch bend: 79,59

Just major triad on C (4:5:6).

Nocturne No. 2 in E-flat Major, Op. 9

Concerto for Violoncello and Orchestra in B minor, op. 104 - 1. Allegro (Pierre Fournier, George Szell, Berliner Philharmoniker, Germany)

Triad in Equal Tempered Bohlen-Pierce tuning (0 4 10)

Triad in Equal Tempered Bohlen-Pierce tuning (0 4 7 semitones). Title refers to harmonics (fundamental=1:3:9:etc.).

English: Chopin Prelude, Op. 20, No. 10 (1832) opening. Consecutive diminished seventh chords as whole tone scale harmony. Piston analyses viio as Vo9 with a missing root.

Ives quarter tone fundamental chord.

Guitar chords b major.

Sonatina No. 1 in C Major - III. Vivace by Aaron Dunn

Sonata no. 31 in a-flat major, op. 110 - ii. allegro molto

Diagram of tin whistle fingering for a diatonic scale: I, II, III, IV, V, VI, ♭VII, ♮VII, I'. In D: D, E, F♯, G, A, B, C♮, C♯, and D'.

Sonatina No. 1 in C Major - II. Andante by Aaron Dunn

Etude no. 1, op. 10 in c major

Bergamesca variant, MS. Lute Book, c. 1600.

Debussy Pelleas et Melisande prelude opening.

ii7-subV7-IM7-I6 progression. Chord quality substitution.

Diminished chord in first inversion in Bach's WTC I, Prelude in G Major.

G major scale note g a b c d e f g.

viio7 as dominant substitute.

♯IIo7 as dominant substitute.

Four measure ii-V-I progression in C with Coltrane substitution.

Bohlen-Pierce chord: 0,1,2 (semitones), the most dissonant chord. Currently at 0, 169.75, and 310.88 cents. Title refers to number of semitones (unison=0).

Triad in Just Bohlen-Pierce tuning (0 6 10 semitones). Title refers to harmonics (fundamental=1,3,9,etc.).

Just minor chord on C: 10:12:15.

Septimal minor triad on C (C,E7b,G or 6:7:9)

0 7 10 was judged most consonant by the untrained subjects. Title refers to number of semitones (unison=0).

Extended dominant relationship in Schubert's German Dance, D. 643, opening.

Schubert, Trio in E flat, second movement, bars 86-89

Sonatina No. 2 in G Major - III. Allegro by Aaron Dunn

Scarlatti Sonasta K319, bars 62-80

Schubert, Trio in E flat, second movement, closing bars

Schubert, Trio in E flat, second movement, bars 1-6

Schubert, Trio in E flat, second movement, bars 21-26

Schubert Trio in Eb, second movement, bars 86-89

Sonatina No. 1 in C Major - I. Allegro by Aaron Dunn

Dream Chord on G, tuned 12:16:17:18. MIDI pitch bend appears to match intervals.

Motherchord (Mutterakkord), pyramidal (symetrical) chord. A G# E C# B F# C♮ F♮ G Bb D Eb = 0 e 7 4 2 9 3 8 t 1 5 6.

Alpha scale harmonic seventh chord on C. MIDI pitch bend matches intervals.

La Monte Young - Magic opening chord: E♭, E, F, A, B♭, C, D, E♭, E, F, G, A, B♭ = 2:3:7:9:21:63:567:189:567. The opening chord (left), E, F, A, B♭, D, E, G, and A, and the magic chord (right), E♭, B♭, C, E♭, F, B♭.

Mother chordMutterakkord

Haydn, Sonata Hob. XVI:29, bars 1-4.

*Just major sixth on C = A. Just: 5:3 = 884.36 cents. Limit: 5-limit. MIDI.

Symphony No. 4 in A major 'Italian', Op. 90 - III. Con moto moderato. IV Symfonia A-dur op. 90 Feliksa Mendelssohna, powszechnie nazywana Włoską, część III Con moto moderato w wykonaniu Skidmore College Orchestra.